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New Artists, New Visions

First, I'd like to thank you for being the first featured artist on the Random Access Design blog.


Thank you Ardie, for giving me this opportunity.



Maybe we should start with a little background information first. Please tell us a little about the life and times of Malathy.

I am from India, living right now in Israel, married to an Aeronautical engineer and mother of a 10 year old. I am a biotechnologist and teacher by profession, currently enjoying a break from my day job.




The first time I saw your work I couldn't believe you're new to the medium. How long have you been claying?


I got introduced to polymer clay last year, and started working at it last September, I would say 10 months ago.




What do you feel your rich cultural heritage brings to your art?

The colors and patterns that I come up with are I think always an expression of our rich culture and tradition that is full of color.




Were you artistic or a crafter as a child?


Yes, I was always inclined towards arts and crafts, but as a child I didn’t have much time or opportunity to try a lot of it.




Do you work in any other crafts?


I do a lot of color pencil sketching. I used to do airbrush painting on etched glass and also a specific kind of Indian art called Tanjore painting. I also do a bit of ceramics.




Why did you decide to try polymer clay?


I first saw polymer clay jewelry on display at a fair and I could kind of figure out how it was made. That day I picked six colors of polymer clay, got back home and searched the internet for polymer clay, found some tutorials and that is how it all started.




What is the first thing you ever made with polymer clay?


A very simple flower cane is what I first tried out.




Who or what inspires you to create?


I would say the first inspiration is from nature. As I walk along the road my eyes never miss a beautiful flower. Also, there are many people whose work inspires me. Starting from Donna Kato, the list is endless. My son and husband have always been a great source of inspiration and encouragement. I get a lot of ideas and feedback from them time to time.




How does your creative process work? Do you dream your designs? Do you see pictures in your head? Do you draw your designs first, or do you sit down and let the inspiration come?


The creative process is almost continuous; I am almost all the time thinking of ideas for clay. At any time I have enough ideas for at least another 10 days to go. I do draw my designs at times. For example, when I recently did the bumble bee and lady bug cane, I drew the pictures and then started working. Same way with my first peacock feather cane, I looked at some pictures of peacock feathers and then planned out how close I can get to the colors and shape and planned out the blend and then started caning.




What is the one technique you think is invaluable for any clayer?


In my opinion, it is the millefiori, or the caning technique.




Is there a clay tool, other than your pasta machine, you use more frequently than any other?


I use my clay gun, bought one recently and it is a great tool.




If you could improve your artistic talent instantly; what would you improve?


My technique at caning is what I would like to improve.




Do you have any advice for others, new to polymer clay?

All I would say is keep working and keep trying as polymer clay is a great medium where you can see your work getting better each time you make some thing and just enjoy the bliss.




Where do you want to be in the craft of polymer clay in a year, in five years?


I want to do a lot of complex caning and have a name and place in the polymer clay world. I also want to try out all the available techniques in polymer clay and find some new ones if possible.




In e-mails we shared earlier; you wrote that you're thinking of offering your jewelry pieces for sale. Can you tell us when and where we'll be able to purchase one (or more) of your pieces?


Yes, I have plans to start an e-shop very soon. Until then you can contact me by e-mail for any requirement.

malathykumaran@yahoo.co.in



Last, but not least: Why turtles? How many have you made, now?


I have a passion for turtles. I had a pet turtle years back, and now we have a pet tortoise. The first time I made a polymer clay turtle was just by accident. I cut out the end of a cane that I had just made and was toying around for a while till it started looking like a turtle shell. Then I just added the head and limbs and that is how it started. From then on, almost every cane that I make, I have turtles from the ends. I have about 125 different types of turtles now and I love each one of them.




Thanks again, for sharing your talent and your fresh artistic vision with us, Malathy. We'll be keeping an eye out for new creations on your Flicker album:

http://www.flickr.com/photos/malsarts/

and looking forward to the possibility of owning one of your pieces.

Wednesday, June 24, 2009

Preparing Lace for Making Impressions in Polymer Clay


Have you ever tried to capture the delicate patterns of lace on polymer clay, only to be disappointed in the poor quality of the impression? Maybe the lace was too delicate or you ended up with lace fibers clogged with clay and a rough impression.

Here's a way to reinforce delicate laces and minimize the thread lines of thicker laces. Applying several layers of craft glue will make delicate lace impressions bolder. It can also fill in the areas between threads in thicker laces, giving you a smoother impression. It is also possible to trim most of the connecting threads in laces, giving an airier look to the impressions.

The next time you want to capture the intricacies of lace for one of your polymer clay projects try this:

MATERIALS:

a piece of lace

water soluble
, flexible craft glue like Aileen's
a 1/3 to 1/2 inch medium firm artist's brush
a small container for mixing

a small amount of water

a popsicle stick or plastic spoon for mixing
a sheet of waxed paper or silicone coated parchment to use as a work surface

1. Lay your piece of lace flat on the paper work surface.
2. Estimate the amount of glue you will need to coat the lace on one surface only. Put this amount of glue into the small container.
3. Add 1/3 that same amount of water to the glue in the container. (3 parts glue to 1 part water)
4. Mix well with the popsicle stick.
5. Use the artist's brush to coat the lace with the glue and water mixture.
6. When the lace is completely coated on one side; make sure it is soaked into the fibers of thicker laces, lift the piece of lace up and reposition it on a clean and dry area of your paper work surface.

7. Let it dry completely.
8. Wash the brush, mixing container and spoon.
9. Turn the lace over and repeat the process on the other side.

This works best if you put at least 3 or 4 coats of the glue and water mixture on each side of the lace.
It isn't an exact science. Put as many coats as you feel necessary to reinforce very thin lace and/or minimize fiber lines on thicker laces or achieve the results you want. Be careful to let each application of the glue and water mixture dry completely. Don't over brush and remove the previous application of the glue mixture when applying additional coats.

You should now have a piece of lace that can go through your pasta machine easier , because it is now flexible instead of floppy plus, very thin, delicate laces are now reinforced, thicker and will make a better impression.

A brushed on coat of glycerin makes a great mold release on the lace.

Happy claying,

Ardie




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