New Artists, New Visions
First, I'd like to thank you for being the first featured artist on the Random Access Design blog.
Thank you Ardie, for giving me this opportunity.
Maybe we should start with a little background information first. Please tell us a little about the life and times of Malathy.
I am from
The first time I saw your work I couldn't believe you're new to the medium. How long have you been claying?
I got introduced to polymer clay last year, and started working at it last September, I would say 10 months ago.
What do you feel your rich cultural heritage brings to your art?
The colors and patterns that I come up with are I think always an expression of our rich culture and tradition that is full of color.
Were you artistic or a crafter as a child?
Yes, I was always inclined towards arts and crafts, but as a child I didn’t have much time or opportunity to try a lot of it.
Do you work in any other crafts?
I do a lot of color pencil sketching. I used to do airbrush painting on etched glass and also a specific kind of Indian art called Tanjore painting. I also do a bit of ceramics.
Why did you decide to try polymer clay?
I first saw polymer clay jewelry on display at a fair and I could kind of figure out how it was made. That day I picked six colors of polymer clay, got back home and searched the internet for polymer clay, found some tutorials and that is how it all started.
What is the first thing you ever made with polymer clay?
A very simple flower cane is what I first tried out.
Who or what inspires you to create?
I would say the first inspiration is from nature. As I walk along the road my eyes never miss a beautiful flower. Also, there are many people whose work inspires me. Starting from
How does your creative process work? Do you dream your designs? Do you see pictures in your head? Do you draw your designs first, or do you sit down and let the inspiration come?
The creative process is almost continuous; I am almost all the time thinking of ideas for clay. At any time I have enough ideas for at least another 10 days to go. I do draw my designs at times. For example, when I recently did the bumble bee and lady bug cane, I drew the pictures and then started working. Same way with my first peacock feather cane, I looked at some pictures of peacock feathers and then planned out how close I can get to the colors and shape and planned out the blend and then started caning.
What is the one technique you think is invaluable for any clayer?
In my opinion, it is the millefiori, or the caning technique.
Is there a clay tool, other than your pasta machine, you use more frequently than any other?
I use my clay gun, bought one recently and it is a great tool.
If you could improve your artistic talent instantly; what would you improve?
My technique at caning is what I would like to improve.
Do you have any advice for others, new to polymer clay?
All I would say is keep working and keep trying as polymer clay is a great medium where you can see your work getting better each time you make some thing and just enjoy the bliss.
Where do you want to be in the craft of polymer clay in a year, in five years?
I want to do a lot of complex caning and have a name and place in the polymer clay world. I also want to try out all the available techniques in polymer clay and find some new ones if possible.
In e-mails we shared earlier; you wrote that you're thinking of offering your jewelry pieces for sale. Can you tell us when and where we'll be able to purchase one (or more) of your pieces?
Yes, I have plans to start an e-shop very soon. Until then you can contact me by e-mail for any requirement.
malathykumaran@yahoo.co.in
Last, but not least: Why turtles? How many have you made, now?
I have a passion for turtles. I had a pet turtle years back, and now we have a pet tortoise. The first time I made a polymer clay turtle was just by accident. I cut out the end of a cane that I had just made and was toying around for a while till it started looking like a turtle shell. Then I just added the head and limbs and that is how it started. From then on, almost every cane that I make, I have turtles from the ends. I have about 125 different types of turtles now and I love each one of them.
Thanks again, for sharing your talent and your fresh artistic vision with us, Malathy. We'll be keeping an eye out for new creations on your Flicker album:
http://www.flickr.com/photos/malsarts/
Sunday, July 26, 2009
Anyone need plans for a DIY pc cane slicer?
I can do detailed drawings with a supply list and possibly a link or two with components, for those that can't get them locally.
Thursday, July 23, 2009
World’s Oldest Manufactured Beads Are Older Than Previously Thought
Here's the link to the article in Science Daily or you can read the whole thing below:
http://www.sciencedaily.com/releases/2009/05/090505163021.htm#

World’s Oldest Manufactured Beads Are Older Than Previously Thought
ScienceDaily (May 7, 2009) — A team of archaeologists has uncovered some of the world’s earliest shell ornaments in a limestone cave in Eastern Morocco. The researchers have found 47 examples of Nassarius marine shells, most of them perforated and including examples covered in red ochre, at the Grotte des Pigeons at Taforalt.
The fingernail-size shells, already known from 82,000-year-old Aterian deposits in the cave, have now been found in even earlier layers. While the team is still awaiting exact dates for these layers, they believe this discovery makes them arguably the earliest shell ornaments in prehistory.
The shells are currently at the centre of a debate concerning the origins of modern behaviour in early humans. Many archaeologists regard the shell bead ornaments as proof that anatomically modern humans had developed a sophisticated symbolic material culture. Up until now, Blombos cave in South Africa has been leading the ‘bead race’ with 41 Nassarius shell beads that can confidently be dated to 72,000 years ago.
Aside from this latest discovery unearthing an even greater number of beads, the research team says the most striking aspect of the Taforalt discoveries is that identical shell types should appear in two such geographically distant regions. As well as Blombos, there are now at least four other Aterian sites in Morocco with Nassarius shell beads. The newest evidence, in a paper by the authors to be published in the next few weeks in the Journal of Quaternary Science Reviews, shows that the Aterian in Morocco dates back to at least 110,000 years ago.
Research team leader, Professor Nick Barton, from the Institute of Archaeology at the University of Oxford, said: ‘These new finds are exciting because they show that bead manufacturing probably arose independently in different cultures and confirms a long suspected pattern that humans with modern symbolic behaviour were present from a very early stage at both ends of the continent, probably as early as 110,000 years ago.’
Also leading the research team Dr Abdeljalil Bouzouggar, from the Institut National des Sciences de l’Archéologie et du Patrimoine in Morocco, said: ‘The archaeological and chronological contexts of the Taforalt discoveries suggest a much longer tradition of bead-making than previously suspected, making them perhaps the earliest such ornaments in the world.’
Archaeologists widely believe that humans in Europe first started fashioning purely symbolic objects about 40,000 years ago, but in Africa this latest evidence shows that humans were engaged in this activity at least 40,000 years before this.
Excavations in April 2009 also continued in the upper levels of Taforalt to investigate a large well-preserved cemetery dating to around 12,500 years ago. The project, co-ordinated by Dr Louise Humphrey, from the Natural History Museum in London, has found adult as well as infant burials at the site. The infant burials throw an interesting light on early burial traditions as many of the infants seem to be buried singly beneath distinctive blue stones with the undersides smeared with red ochre. By contrast, studies by Dr Elaine Turner of the Römisch Germanisches Zentralmuseum, Mainz, show that the adults’ grave pits were generally marked by the horn cores of wild barbary sheep. Taforalt remains the largest necropolis of the Late Stone Age period in North Africa presently under excavation.
Professor Barton said: ‘Taking our new discovery of the shell beads at Taforalt, together with the discoveries of the decorated burials excavated by Dr Louise Humphrey, it shows that the cave must have retained its special interest for different groups of people over many thousands of years. One of its unique attractions and a focal point of interest seems to have been a freshwater spring that rises next to the cave.’
Sunday, July 19, 2009
Malathy's New Blog
http://malsarts.blogspot.com/






